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Making and being made: wise humanising creativity in interdisciplinary early years arts education.

机译:创造与被创造:在跨学科的早期艺术教育中明智地人性化创造力。

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摘要

This paper focuses on how wise humanising creativity (WHC) is manifested within early years interdisciplinary arts education. It draws on Arts Council-funded participatory research by Devon Carousel Project and University of Exeter’s Graduate School of Education. It is grounded in previous AHRC-funded research, which conceptualised WHC in the face of educational creativity/performativity tensions. WHC articulates the dialogic embodied interrelationship of creativity and identity – creators are ‘making and being made’; they are 'becoming'. The research used a qualitative methodology to create open-ended spaces of dialogue or ‘Living Dialogic Spaces’ framed by an ecological model to situate the team’s different positionings. Data collection included traditional qualitative techniques and arts-based techniques. Data analysis involved inductive/deductive conversations between existing theory and emergent themes. Analysis indicated that ‘making and being made’, and other key WHC features were manifested. We conclude by suggesting that WHC can help develop understanding of how creative arts practice supports the breadth of young children’s development, and the role of the creativity-identity dialogue within that, as well as indicating what the practice and research has to offer beyond the Early Years.
机译:本文着重探讨在跨学科的早期教育中如何体现明智的人性化创造力(WHC)。它利用了德文·卡鲁塞尔(Devon Carousel)项目和埃克塞特大学教育学院的教育理事会资助的参与性研究。它基于以前的AHRC资助的研究,该研究在面对教育创造力/绩效紧张的情况下将WHC概念化。 WHC阐明了创造力与身份的对话体现的相互关系–创造者在“创造与被创造”;他们正在“成为”。这项研究使用了定性方法,以生态模型为框架来创建开放式对话空间或“生活对话空间”,以定位团队的不同位置。数据收集包括传统的定性技术和基于艺术的技术。数据分析涉及现有理论与新兴主题之间的归纳/演绎对话。分析表明,“正在制造和正在制造”以及WHC的其他关键特征得以体现。我们的结论是,WHC可以帮助人们了解创造性艺术实践如何支持幼儿发展的广度以及其中的创造性-身份对话的作用,并指出早期实践之外的实践和研究将提供什么年份。

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